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Choreography Transition,
Electronics & Recordings

Text by Kenny Reese


Square dancing began its transition from the traditional, visiting couple type of dancing into all-four-couple-working kind of dancing in the late 1940's and early 1950's. One of the first to use this type of dance pattern was Ed Gilmore who travelled widely and conducted some of the earliest training programs for callers. Callers discovered they could move everyone at the same time and create more interest.

Meanwhile, the development of the electronic amplifier aided the transition, since it permitted the caller to manage large crowds. It was no longer necessary to shout, use a megaphone, or have a caller in each square. The improved public address equipment allowed the caller to be heard well enough so that the dance routine could be invented as it was called. No longer was the dancer expected to know the dance pattern that went with a particular tune as was common in traditional dancing. Square dance records, particularly, the small, easy to manage 45 RPM discs, eliminated the need for live music, with all its attendant problems and allowed much greater musical variety and flexibility. The modern square dance activity owes much to the record companies who put out first, the 10" and 12" records that ran a 78 RPM and then an abundant supply of good music for square dancing on the much more easily handled 45 RPM 7" records. Some of the pioneering labels have been around since the 1950's. These include Sets In Order, MacGregor and Blue Star. Dozens of other labels have been added since then and without all of them modern square dancing could not have spread throughout the world as it has.

Modern Square Dancing - 1990's
Modern SD Group Modern SD Group
RealAudio Audio Clip (486 kb)

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